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LUCAS JACKSON / Reuters file
Elmo puppeteer Kevin Clash arrives with his furry alter-ego at the Peabody Awards ceremony in 2010.
A New York federal judge on Monday tossed out three lawsuits by men who alleged former Elmo puppeteer Kevin Clash sexually abused them when they were underage.
In his 28-page decision, Federal Judge Kevin Koeltl said a plaintiff has six years after the cause of action or three years after they turn 21 to file claims, and none of the three lawsuits were filed within those time frames. The three men allege that when they were minors, Clash "induced them to engage in sexual activity."
In their claims against Clash, who resigned from "Sesame Street" in November after 28 years, the plaintiffs said they had not realized they were victimized until they learned about each other last year, "and realized they were manipulated and it was an ongoing practice."
But the judge ruled that the "plaintiffs were aware of sufficient facts immediately following their victimization by the defendant to state claims" sooner.
"They were aware of the facts that, while minors, the defendant had engaged in sexual activities with them in violation of one or more federal statutes," Koeltl wrote. "The dates on which the plaintiffs connected their psychological injuries to their victimizations are irrelevant to the dates on which their claims accrued. ... While the plaintiffs may not have recognized the extent of their injuries, they were aware of the defendant's conduct towards them and could have brought claims."
The three plaintiffs whose lawsuits have been dismissed are a 34-year-old Florida man who alleged Clash befriended him on a trip to Miami in the mid-1990s, and later arranged for the teenage boy to visit him in New York, where they engaged in sex for four days in Clash's home; Kevin Kiadii, 26, of New York who said Clash initiated contact with him on a gay chat line when he was 16 and invited him to his apartment, where they engaged in sex; and 25-year-old Cecil Singleton of New York, who was the first man to come forward and alleged in November that he and Clash engaged in an on-and-off sexual relationship that began nine years ago.
Clash resigned from "Sesame Street" after Singleton filed his $5 million lawsuit. Clash issued the following statement after stepping down: "Personal matters have diverted attention away from the important work ?Sesame Street? is doing and I cannot allow it to go on any longer. I am deeply sorry to be leaving and am looking forward to resolving these personal matters privately."
His lawyer, Michael Berger, could not be immediately be reached for comment Monday, but has maintained for months that the claims ?are without merit."
A lawsuit filed by 25-year-old Sheldon Stephens, of Harrisburg, Pa. is still pending. Another accuser dropped his claims in April. Jeff Herman, a Miami lawyer who represents all of the men, said in a statement that the statue of limitations "is an arbitrary timeline that silences victims" and "this is the first battle."
"We believe that the victims in this case are within the statute of limitations, but this ruling highlights the need for a window in New York to allow victims to have their day in court," Herman said. "This is the first battle. We plan to appeal the decision and continue the fight to be a voice for victims."
Clash recently won a Daytime Emmy for outstanding performer in a children's series and two others he shared with the show, totaling 26 total Emmys in his career. His work is still being shown on "Sesame Street" because it had been filmed in advance. Sesame Workshop declined to comment Monday.
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The search engine wars are many things: one-sided, enduring, non-violent. But like all good immutable conflicts, they can also be catty.
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Tens of thousands of people have taken to the streets in an all-out push to force Egypt?s president from office.
Crowds congregated in Cairo?s Tahrir Square and in cities across the country to demand the removal of Mohammed Morsi, who was elected only a year ago.
But thousands of Islamists gathered outside a Cairo mosque in a show of support for the leader ? carrying shields and clubs that they claimed were precautions against possible violence.
One person was killed and more than two dozen injured in fighting between supporters and opponents of Mr Morsi in the Nile city of Beni Suef, south of Cairo, security sources said.
Further bloody clashes were feared as tensions rose, with some of Mr Morsi?s followers describing the protesters as infidels and enemies of God.
They say street demonstrations must not be allowed to unseat a president who won a legitimate election after autocrat Hosni Mubarak was ousted from power in 2011.
Mr Morsi and his backers have forced through a constitution they largely wrote and given religious extremists a free hand while failing to address the country?s problems, it is claimed.
?I came here today because Morsi did not accomplish any of the revolution?s goals,? said seafood company manager Suliman Mohammed, one of about 100,000 people in Tahrir Square.
?I don?t need anything for myself, but the needs of the poor were not met.?
A defiant Mr Morsi said he had no plans to step down.
?If we change someone in office who was elected according to constitutional legitimacy, there will soon be people opposing the new president, too,? he said.
?A week or a month later, they will ask him to step down. There is no room for any talk against this constitutional legitimacy.?
Source: http://metro.co.uk/2013/06/30/egypt-protesters-flood-streets-to-demand-presidents-removal-3863173/
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The running joke whenever we discuss the Google Play edition Galaxy S4 is that you can sum things up in just one sentence — it’s the Galaxy S4, with stock Android. Really, if you understand the vanilla “Nexus” UI, as it exists on the Nexus 4, and you understand the Galaxy S4’s hardware, as it exists on the Samsung version, then you already know everything you need to about this product. There are no real surprises lurking. What you see is what you get. It’s the Galaxy S4, with stock Android.
I’ve been using the GS4 in some form or another since I reviewed the Sprint version in New York City in April. Back then the device had some serious software issues, not least of which was the persistent, maddening lag that plagued the Samsung UI. Since picking up the European version I’ve watched things improve with successive software updates, and Samsung’s flavor of Android is now as speedy as I’d expect it to be — almost as fast as stock, in fact. So how does that compare to the vanilla, unblemished Google experience? Read on to find out.
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Source: http://feedproxy.google.com/~r/androidcentral/~3/7G0ijN8UJnc/story01.htm
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AFP - On a recent rainy Sunday morning in a Mexico City neighborhood, people lined up under their umbrellas with bags of empty milk cartons, plastic bottles and cardboard at their feet.
The rain did nothing to dampen their enthusiasm for the Mercado de Trueque, or barter market, where recyclable materials are exchanged for points then used to buy organic food and products.
"It's great because a lot of the time one doesn't know what to do with all of this stuff and I think it's really irresponsible to just throw it away," said Maria Fernanda Vasquez, a photographer huddled under an umbrella with her friend Mina Moreno.
Moreno added: "We need to give a little something back to Mother Earth."
The Mercado de Trueque is among a slew of green initiatives that have been launched by the capital's left-wing government in recent years to clean up this smoggy metropolis of 20 million people, which was considered the world's most polluted city some 20 years ago.
The monthly market, which was inaugurated last year, aims to raise awareness about the value and use of items that would otherwise end up in landfills, and is growing in popularity in a city that generates more than 12,000 tonnes of trash per day.
The recyclables brought to market by people are weighed by an army of apron-wearing helpers, and then heaped onto waiting trucks to be transported to a local recycling company.
Market-goers are rewarded with green points, a bespoke currency, depending on the quantity of materials they bring in. They then take their points next door to a produce market to spend on food and other products on sale.
The scheme means no one goes away empty-handed after bringing their trash in for recycling. It was the first time Andrea Gutierrez and her boyfriend Alan Riestro came to the market loaded with newspapers and plastic bottles.
"We bought radishes and cottage cheese, and still have 40 or 50 pesos ($3 or $4) left to spend," said Gutierrez at a recreational center within the site of the 1968 Olympic village.
Local producers also benefit. They sell all of their produce to the government, and then bring them here for exchange.
Pedro Jimenez, a local producer who was manning his stall of cauliflowers, said: "It's good for us because the government pays above the normal market price (for our products)."
Last year the project collected more than 170,000 tonnes of recyclable materials.
The city government overhauled waste management in 2011, requiring people to separate organic and non-organic trash and closing an enormous landfill that received 6,000 tonnes of trash per day.
The barter market is another effort at sorting trash. It accepts a wide range of materials for recycling, from the obvious cardboard and glass to electric appliances such as old typewriters and computers that no longer work.
At least 2,000 people come to the event every month, which rotates around different locations throughout the city. Enthusiasm for the concept is such that queues here are often long and slow.
There have been complaints that people are forced to wait hours in line to do their good deeds.
"A lot of people come. The aim of the market is to help people to understand their trash has a value and to separate the materials," said Liliana Balcazar, a government worker who helps organize the market.
"It's not to solve the recycling problems of the city - that's very complex and the demand for the market grows each month," she said.
Source: http://www.france24.com/en/20130629-mexico-city-trash-food-market-helps-clean-city
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All Critics (83) | Top Critics (24) | Fresh (73) | Rotten (10)
The result is a sometimes gritty, occasionally charming Highland hybrid, but the final balance feels slightly off-kilter.
Loach takes us through the mysteries of whisky making, exploring the subtle tastes and scents in ways that will have audiences wishing they had a dram at hand. But a glass also serves more symbolic purposes ...
If you want to look for it, you'll find a layer of metaphor (the distilling process as a symbol of the characters' evolution) and social-realist commentary amid the gentle, life-affirming laughs.
[Ken Loach] and his longtime screenwriter, Paul Laverty, find a good balance between drama and wacky character moments.
A fairy tale with its feet firmly on the ground.
A lark, but it's a serious-minded lark, addressing issues of class and culture, the haves and have-nots.
Ken Loach walks on the lighter side
The title, by the way, refers to the distillation process: the 2% of whisky that evaporates in the barrel is known as "the angel's share." I'm afraid there's more than 2% evaporation going on in Loach's latest.
Much like a stiff drink at the end of a long day, "The Angels' Share" gets the job done, but you're probably not going to remember it in the morning.
Loach's realism lends an easygoing, ramshackle quality to the film that smoothes over any lack of tightness.
Director Ken Loach's latest glimpse of the U.K. underclass is really two rather different movies, either of which I would've enjoyed on their own. But they don't really fit together in any satisfying or even logical way.
Whether Robbie pulls off his caper should be left for the audience to discover. But Loach's great cinematic switcheroo goes off almost without a hitch.
As heartwarming and uplifting as any tale could be that features vicious beatings and grand larceny.
While it has some likable characters, particularly its charismatic lead, it's impossible to shake the feeling that we've seen this movie before.
Lead actor Paul Brannigan, the product of Glasgow's working-class East End, is a natural.
The usual Loachian elements are all in place, but there is a gentle spirit at work here as well, and not just the alcoholic spirits around which the plot revolves.
The Angels' Share is a stellar bit of activist cinema with a light touch.
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Source: http://www.rottentomatoes.com/m/the_angels_share/
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